Concrete and Glass

2010

Latest News

Details of performances on 18th and 20th May are confirmed

17 May 2010 in &

Concrete and Glass 2010 opened on Thursday 13th May with the private view for the festival’s art exhibitions, as well as performances by Felix Thorn & Weirdcore, Volcano the Bear, and Owl Project.

At 20 Hoxton Square Projects, more than 400 people attended the private view for Heart of Glass, an open-submission group show of emerging artists. The evening concluded with an audio/visual performance of Techno Harmonium, a kinetic musical sculpture, by Felix Thorn in collaboration with digital visuals artists Weirdcore.

At Hoxton Bar & Kitchen, Volcano the Bear performed a live soundtrack to Fischli and Weiss’s acclaimed chain reaction film, The Way Things Go. This was a specially commissioned one-off performance for Concrete and Glass. Owl Project also performed with their peculiar sculptural musical instruments.

On TUESDAY 18TH MAY the second of three music performance events commissioned for Concrete and Glass by Tom Baker of Eat Your Own Ears (with support from Sound and Music) takes place at The Macbeth, 70 Hoxton Street, NI (doors 8pm, tickets £5):
SLEIGHBELLS
CUTUP COLLECTIVESOLINA HIFI
ROCKETNUMBERNINE
MUSCLEHEADS DJs
DAVE I.D

Tickets from:
See Tickets
0870 264 3333

Ticket Web
08444 771 000

Discordant Brooklyn duo SLEIGHBELLS came together when songwriter and producer Derek Miller, a veteran of Florida hardcore warriors Poison the Well, hooked up with singer Alexis Krauss. Their electronic beats thud with gut-rattling low end; guitars are distorted siren squalls, or heavily gated and thoroughly crunched power chords, or playful, beta-band-esque strums. Krauss flips easily from hip-hop hook, to pop power, to sunshined, coquettish coos. The band were recently signed to signed to M.I.A.’s N.E.E.T. Recordings label and their first single “Tell’Em” was released in April.

The SOLINA HIFI project developed through involvement with the London based arts collective CUTUP. Solina Hi-Fi seeks to glimpse truth through sound. Playing with pure tones and drones created by hand built analogue synths and live instruments, Solina Hi-Fi explores the spectrum of raw and it’s permutations, revealing the essence of sound. Analogue processes are further explored through the visual element to the performance. Randomly edited clips of found VHS tape are collaged and reassembled, producing corrupted snippets of film & haunting flashbacks of TV past.

ROCKETNUMBERNINE are brothers Benjamin and Thomas Page. Their music is an intense, emotional sonic assault. For 3 years, RN9 sets were purely improvised. Now, keeping the spirit and musicianship built from those “edge of the seat” shows, the brothers move into 2010 creating a firmer ground beneath their feet. With Ben calling on the deepest Detroit and Chicago influences and Tom conjuring the spirits of the great Jazz drummers, Rocketnumbernine arrive at an all consuming sound that is at once very much their own. Fresh from an acclaimed UK tour supporting Fourtet in March 2010, RocketNumberNine will release a new album due for release on Gravid Hands label in June.

The stellar tracks of shadowy duo MUSCLEHEADS are experiments in droning discofied Krautrock.

A brooding vocal adds weight to the already glowering atmosphere and unabating, exposed beats of DAVE I.D’s music. Superbly weighty music for one so young, Dave is as anonymous as he is indefinable.

On THURSDAY 20TH MAY at 20 Hoxton Square Projects (7pm, free entry) LUMIN presents:
PIANO MIGRATION II: Video responsive instrument
A performance by Kathy Hinde in collaboration with Matthew Olden, Simon McCorry and Nahum Mantra

The inside of an old upright piano, rescued from destruction, is transformed into a light activated instrument. Video projections move across the surface of the piano strings, triggering small machines to twitch and flutter causing the strings to resonate. For one night, this installation becomes a site for performance. Video projections activate the piano strings, and simultaneously provide a graphic score for improvisation. Audio-visual artist Kathy Hinde is joined by laptop musician Matthew Olden, cellist Simon McCorry and multi-instrumentalist Nahum Mantra to present a performance where image through a series of transformations realised through acoustic sound, live sampling, automata and projections.

The work will then remain in the gallery as an installation for the period 21st-27th May.

Kathy Hinde’s interdisciplinary approach combines different art forms frequently through collaborations with other artists, partnerships with scientists, and input from the audience. She has shown work internationally in over 20 countries, and has created video projections for theatre and live art performances working with interactive visual environments that are responsive to live situations. Her video work frequently moves away from the ‘screen’ and she has made projections designed for various structures, surfaces, and sites. 2008 saw the launch of her self-directed and on-going project ‘Piano Migrations’; an interdisciplinary and collaborative body of artworks concerned with re-mapping migration routes, translating image into sound, the relationship between humans and mechanisms and how environmental change is affecting migrating animals.

Matthew Olden is a computer artist who develops computer programs that make music, do visuals and manipulate data. Matthew’s most known piece of software – i am the mighty jungulator – has been described by Future Music magazine as ‘the Sonic Philosopher’s Stone’.

Line-up of events on Thursday 13th May

11 May 2010 in &

at 20 HOXTON SQUARE PROJECTS (free entry):
6.30-9.30PM
HEART OF GLASS (group exhibition) – ground floor
Curated by Flora Fairbairn and Paul Hitchman
in collaboration with Adam Waymouth

KATE MccGWIRE – foyer
Solo presentation of art by previous Heart of Glass winning artist

SHOP + OFFICE – first floor
curated by Hannah Barry in assocation with murmurART

8.30PM
TECHNO HARMONIUM, a live performance by Felix Thorn and digital visuals artists Weirdcore, curated by LUMIN

at HOXTON BAR & KITCHEN (doors 8pm, tickets £5.00):
9.00PM
THE OWL PROJECT

10.00PM
VOLCANO THE BEAR live soundtrack to FISCHLI AND WEISS’S THE WAY THINGS GO

VOLCANO THE BEAR, THE OWL PROJECT, FELIX THORN & WEIRDCORE - Live Performances on Thursday 13th May - the opening night of Concrete and Glass 2010

8 May 2010 in &

Concrete and Glass 2010 launches on Thursday 13th May with the first of a series of specially commissioned live performances at Hoxton Bar & Kitchen and 20 Hoxton Square Projects, in Hoxton Square, east London.

Commissioned especially for Concrete and Glass, with support from Sound and Music:

VOLCANO THE BEAR live soundtrack to FISCHLI AND WEISS’S THE WAY THINGS GO
THE OWL PROJECT
Thursday 13th May 2010 at Hoxton Bar and Kitchen (doors 8pm, tickets £5)

Tickets from:
See Tickets
0870 264 3333

Ticket Web
08444 771 000

Arch experimentalists VOLCANO THE BEAR will provide a live soundtrack to Fischli and Weiss’s acclaimed chain reaction film, The Way Things Go. This will be a one-off gig, and will be performed by Aaron Moore and Daniel Padden. Volcano The Bear’s own music is an often-absurd meeting of unlikely instruments, objects and sounds. Narratives and momentum are created and sabotaged, and accidents happen.

OWL PROJECT straddle the worlds of sound and visual art, with their peculiar sculptural musical instruments, including the mLog, their woodcraft interpretation of an iPod, which contrasts the disposability of modern technology with the labour intensive processes inherent in traditional handcraft objects. This group of process-orientated artists has recently won a coveted grant to create one of the major projects for the London 2012 Cultural Olympiad.

Also on 13th May, at 20 Hoxton Square Projects, presented by LUMIN:
TECHNO HARMONIUM’ by FELIX THORN and WEIRDCORE.

Techno Harmonium is a collaboration between FELIX THORN and digital visuals artists WEIRDCORE. Used to doing reactive live visuals for cutting electronic acts and bands, Weirdcore have been asked to focus their attention on Felix’s new machine, the Harmonium. The piece will open with an improvised live visual and audio performance on the evening of 13th May followed by a weeklong installation.

Felix’s Harmonium is a kinetic musical sculpture. Characteristics of electronic synthesizers can be traced back to mechanisms in early organ designs. The Harmonium make use of these pre-existing mechanisms by automating them for performance. The design of this machine aims to not only to match, but also to surpass the human performer by enhancing the machine with LEDs and movement that creates a truly multi sensory performance on the demand. For Concrete and Glass Lumin has invited visual artists and programmers Weirdcore to create video response for the piece. This will add a truly digital dimension both as a performance and visual installation. The Harmonium will then become the ultimate performer.

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